Showing posts with label magazines. Show all posts
Showing posts with label magazines. Show all posts

4.25.2016

Monday, April 25, 1966: 'Pop!'


    Peter Benchley's cover story on pop culture begins: "It's a fad, it's a trend, it's a way of life. It's pop." and goes on to say that "In short, pop is what's happening ... it's anything that is imaginative, nonserious, rebellious, new, or nostalgic: anything, basically, fun." (Full story, from Lichtenstein Foundation via Internet Archive: @)


     Roy Lichtenstein's cover illustration was similar to the comic-book-style words that appeared on screen during fight scenes in TV's "Batman." 

Resources
*"The Continuing Influence of Popular Culture on Contemporary Art" (Queensland Art Gallery, Queensland, Australia, 2003): @
* "American Pop Frankenstein? Andy Warhol, Iconic Experience and the Advent of the Pop Society" (Steve Sherwood, UCLA): @
* Entry from blogs.artinfo.com: @
* Peter Benchley website: @
* Roy Lichtenstein website: @

Related posts
* "Batman" (January 12, 1966): @
* "Notes on 'Camp' " (September 1964): @
* Pop art at the Guggenheim (March 14, 1963): @
* "Pop Goes the Easel" (March 25, 1962): @
* Andy Warhol's soup cans (July 9, 1962): @
* Roy Lichtenstein (1961): @ 

4.07.2016

Friday, April 8, 1966: 'Is God Dead?'


Time magazine publishes a provocative article (with a controversial cover) by religion editor John T. Elson. It begins:

TOWARD A HIDDEN GOD
     Is God dead? It is a question that tantalizes both believers, who perhaps secretly fear that he is, and atheists, who possibly suspect that the answer is no. 
     Is God dead? The three words represent a summons to reflect on the meaning of existence. No longer is the question the taunting jest of skeptics for whom unbelief is the test of wisdom and for whom Nietzsche is the prophet who gave the right answer a century ago. Even within Christianity, now confidently renewing itself in spirit as well as form, a small band of radical theologians has seriously argued that the churches must accept the fact of God's death, and get along without him. How does the issue differ from the age-old assertion that God does not and never did exist? Nietzsche's thesis was that striving, self-centered man had killed God, and that settled that. The current death-of-God group believes that God is indeed absolutely dead, but proposes to carry on and write an theology without theos, without God. Less radical Christian thinkers hold that at the very least God in the image of man, God sitting in heaven, is dead, and -- in the central task of religion today -- they seek to imagine and define a God who can touch men's emotions and engage men's minds. 
     If nothing else, the Christian atheists are waking the churches to the brutal reality that the basic premise of faith -- the existence of a personal God, who created the world and sustains it with his love -- is now subject to profound attack.

* Complete text: @
* "Is God Dead?" (the Rev. G.H. Ashworth, for The Bryan, Ohio, Democrat, May 25, 1905): @
* "The God Is Dead Movement" (Time, October 22, 1965; subscription only): @
* John T. Elson obituary (New York Times, 2009): @
* "Is God Just a Human Invention? And Seventeen Other Questions Raised by the New Atheists" (Sean McDowell and Jonathan Morrow, editors, 2010): @
* "Methodist Heretic: Thomas Altizer and the Death of God at Emory University" (Christopher Demuth Rodkey, 2010): @
* "American Nietzsche: A History of an Icon and His Ideas" (Jennifer Ratner-Rosenhagen, 2012): @
* " 'God Is Dead' Controversy" (New Georgia Encyclopedia, 2013): @
* "Thomas J.J. Alitzer: On the Death of God Theology" (Jose L. Gutierrez, 2014): @

Time, December 26, 1969
The magazine publishes a three-year-later look at the subject with "The New Ministry: Bringing God Back to Life."
* Text (subscription only): @

motive magazine, February 1966
The official magazine of the Methodist Student Movement publishes a satirical obituary, written in the style of The New York Times, titled "God is Dead in Georgia."
* Complete text: @
* Note: Anthony Towne, who wrote the obituary, followed it up in 1968 with the book "Excerpts from the Diaries of the Late God." Short summary (from "Religion in America Since 1945: A History," Patrick Allitt, 2003): @
* motive magazine archives (Boston University School of Theology): @ and @

Sojourner Truth, 1852
During an anti-slavery meeting in Salem, Ohio, the abolitionist and social reformer replies to Frederick Douglass' speech on how to rid the country of slavery with the plaintive question (by some accounts), "Is God gone?" The phrase is more remembered as "Is God dead?", which is also inscribed -- without the question mark -- on her tombstone in Battle Creek, Michigan.
* Excerpt from "Sojourner Truth: Slave, Prophet, Legend" (Carleton Mabee and Susan Mabee Newhouse, 1995): @
* Exceprt from "Sojourner Truth as Orator: Wit, Story and Song" (Suzanne Pullon Fitch and Roseann M. Mandzuik, 1997): @
* Excerpt from "Sojourner Truth's America" (Margaret Washington, 2009): @ 

4.01.2016

April 1966: 'Frank Sinatra Has A Cold'


Gay Talese's profile of Frank Sinatra is published in the April 1966 issue of Esquire magazine. It stands as one of the high achievements of "New Journalism," in which writers use all manner of literary techniques to tell a nonfiction story. The profile is also noteworthy in that Talese did not interview Sinatra, talking instead to the people in the entertainer's circle.

-- Subhed reads: "And some of the most important people in some of the most important places in New York, New Jersey, Southern California and Las Vegas are suddenly developing postnasal drop"
-- Cover illustration by Edward Sorel

* Full story (www.esquire.com): @

* Annotated version, 2013 (niemanstoryboard.org): @
* Oral interview with Talese, 2015 (soundcloud.com): @
* "The Birth of 'The New Journalism' " (Tom Wolfe, New York magazine, February 14, 1972): @
* Complete issue of New York magazine (February 14, 1972): @
* Short summary of "New Journalism" (from "Culture Wars: An Encyclopedia of Issues, Viewpoints, and Voices," edited by Roger Chapman, 2010): @
* "The Gang That Wouldn't Write Straight: Wolfe, Thompson, Didion, Capote and the New Journalism Revolution" (Marc Weingarten, 2010): @
* "Literary Journalism in the Twentieth Century" (edited by Norman Sims, 2008): @
* "The Esquire Decade" (Frank Digiacoma, Vanity Fair magazine, January 2007): @
* "It Wasn't Pretty, Folks, But Didn't We Have Fun? Surviving the '60s with Esquire's Harold Hayes" (Carol Posgrove, 2001): @
* Talese biography (www.newjournalism.com): @
* Talese's website (via Random House): @

2.07.2016

Monday, February 7, 1966: Crawdaddy magazine


Paul Williams, a student at Pennsylvania's Swarthmore College, publishes the first issue of Crawdaddy magazine, "intelligent writing about pop music." (Williams said it was actually printed on January 30 and given a publication date of February 7.) Though at first the magazine consisted entirely of record reviews, over time it added more in-depth coverage of the artists as well as of the era itself. Crawdaddy preceded such magazines as Rolling Stone (1967) and Creem (1969). 
     -- Image: First paragraph of first issue

* Selections from archives (Paste magazine): @
* Selections from archives (Rock's Back Pages; subscription required): @
* Selections from archives (complete issues from February 7, 1966, through October 1968): @
* Paul Williams website (Williams died in 2013): @
* "The Crawdaddy! Book: Writings (and Images) from the Magazine of Rock" (edited by Williams, 2002): @
* "Very Seventies: A Cultural History of the 1970s, from the Pages of Crawdaddy" (edited by Peter Knobler and Greg Mitchell, 1995): @
* Excerpt from "Understanding Popular Music Culture" (Roy Schuker, 2016): @

2.01.2016

February 1966: Southern Living magazine


Begun as a section in The Progressive Farmer titled "The Progressive Home" (retitled "Southern Living" in 1963), a new monthly magazine made its debut as a separate publication, Southern Living, in February 1966. At a time when the South was changing rapidly from a rural to a more urban region, Southern Living targeted families who often lived in suburbs, owned their homes, and enjoyed cooking, gardening, entertaining, travel and home-improvement projects.
     -- From "The Companion to Southern Literature: Themes, Genres, Places, People, Movements, and Motifs" (2002): @

* Southern Living 50th Anniversary Headquarters: @
* Entry from Encyclopedia of Alabama: @
* Entry from North Carolina History Project: @
* "Azalea Death Trip: A Journey Through the Land of Southern Living" (Allen Tullos, Southern Changes, 1979): @
* "Living Southern in Southern Living" (Diane Roberts, in "Dixie Debates: Perspectives on Southern Cultures," 1996): @
* "Life at Southern Living: A Sort of Memoir" (John Logue and Gary McCalla, 2000): @
* "Whitewashing Southern Living: The Sociocultural Significance of the 1966 Magazine Launch in Birmingham, Alabama" (Summer Hill-Vinson, 2011): @
* "A Timely Invention: The Evolution of The Progressive Farmer and Southern Living" (Jamie Cole, 2012): @
* "Southern Living at 50: Editors reflect and look toward the future" (Alabama News Center, 2016): @ 

10.08.2015

Friday, October 8, 1965: LBJ surgery




President Johnson underwent 2 hours 15 minutes of major surgery Friday for removal of his gall bladder and a kidney stone. Three hours later he was reported "doing well."
     -- Associated Press: @ 

Johnson returned to the White House on October 21. The day before, at Bethesda Naval Hospital, he showed the press his surgical scar. The image would be the basis of a famous cartoon by David Levine, with the scar in the shape of Vietnam (The New York Review of Books, May 12, 1966). Mad magazine would take a similar approach in its January 1968 issue: @

* "Statement by the President That He Would Undergo Surgery" (October 5; American Presidency Project): @ 
* October 8 entry from LBJ Presidential Library: @
* " 'Two Operations for the Price of One' " (Life magazine, October 29): @ 
* David Levine's illustrations for The New York Review of Books: @
* www.davidlevineart.com: @

9.02.2015

September 1965: Tiger Beat




Founded by Charles and Ira Laufer, Tiger Beat debuts and quickly rivals 16 magazine in its teen-crush coverage of pop stars (particularly the photos).

* Official website: @
* Website of former editor Ann Moses: @
* "The Rise of Tiger Beat and The Laufer Company magazines in the 1960s" (from Rewind the Fifties): @
* "Tiger Beat vs. 16" (from Mrs. Neugast's Fan Worship Page): @
* Covers, 1965-1969 (www.hermanshermits.com): @
* Covers (www.oprah.com): @
* The Monkees Live Almanac (search for Tiger Beat): @
* Articles on The Monkees (from fan site Sunshine Factory): @
* Excerpt from "Girl Culture: An Encyclopedia" (edited by Claudia A. Mitchell and Jacqueline Reid-Walsh, 2007): @
* Lloyd Thaxton obituary (Los Angeles Times, 2008): @
* Charles Laufer obituary (New York Times, 2011): @
* Laufer obituary (Los Angeles Times): @

5.18.2015

Tuesday, May 18, 1965: James Karales' civil rights photo


James Karales' photo of the Selma-to-Montgomery march appears across two pages in Look magazine, with the words TURNING POINT FOR THE CHURCH printed across the top edge. (It was part of a story titled "Our churches' sin against the Negro.") The accompanying text reads:

There have been marches before, but never marchers like these -- a weaponless, potluck army, moving in conquest through hostile territory under the unwilling protection of the enemy. So did a Georgia preacher lead of pilgrimage of enfranchised Alabama Negroes 54 miles this spring to the steps of their state capitol. The concept was biblical. The execution was 1965 American. The Army and FBI guaranteed White House support. Patrol cars, helicopters, truck-borne latrines and first-aid vans bracketed the column; the marchers ate from paper plates with throwaway plastic spoons and slept under floodlit tents. Sustained by rationed peanuts-butter sandwiches, they never faltered in their pace and bitter humor. "I've been called 'nigger,' " said somebody up front. "Well, from now on, it's got to be 'Mister nigger.' " Across the Black Belt farmland rolled the pickup words of their new battle hymn: "Oh, Wallace, you know you can't jail us all; Oh, Wallace, segregation's bound to fail." In it, the white ministers, priests, rabbis and nuns, who had jetted vast distances to reinforce the march, found a new statement of faith.

Karales' son, Andreas, recounted how the photo came to be: " ... he described trying to find an image that would symbolize the meaning and feeling of the march. He struggled over the course of the five-day march, making countless attempts to produce something that he felt worthy of his goal. On the last day a storm swept in and he knew that this was his moment. He rushed to get to the right spot to frame both events as they happened. He was fortunate to get the shot as the storm moved on quickly. ... The menacing clouds and synchronized stride of the marchers happened in one short moment and is what makes this photograph so special. It was one of my father's greatest catches and was the result of his great patience." -- From "Andreas Karales' Memories of his Father, James" (via Gibbes Museum of Art, Charleston, South Carolina): @

* Karales' obituary (Los Angeles Times, 2002): @
* Earlier post on Selma-to-Montgomery photographers: @ 

4.02.2014

April 1964: MAD magazine Fold-In

Created by cartoonist Al Jaffee, the first Fold-In -- about the scandalous romance between Elizabeth Taylor and Richard Burton -- appears in MAD magazine.

Note: Special thanks to Doug Gilford (madcoversite.com) for providing these images.



* Fold-In number 2 (June 1964): @
* Fold-In number 3 (July 1964): @
* "Fold-Ins, Past and Present" (New York Times, October 2010): @
* "The MAD Fold-In Collection: 1964-2010": @
* "Al Jaffee's Iconic Mad Fold-Ins" (Brain Pickings, August 2011): @
* "Al Jaffee's MAD Life" (Mary-Lou Weisman and Jaffee, 2010): @
* "Interview: Al Jaffee" (Boston Phoenix, November 2010): @
* "Cartoonist Al Jaffee Reveals the One Fold-In MAD magazine wouldn't run" (Yahoo/ABC): @ 

3.01.2011

March 1961: Mad magazine


1961 being the first year since 1881 and the last year until 6009 that reads the same upside down as it does rightside up (with the right typeface, of course).

1.13.2011

January 1961: 'Spy vs. Spy'


The Cold War cartoon debuts in the January issue of Mad magazine. The artist, Antonio Prohias, was an editorial cartoonist who had fled Cuba after Fidel Castro came to power. Each cartoon contains a string of Morse code that stands for "by prohias."

* Summary (from www.toonopedia.com): @
* Original artwork for first strip: @
* Tribute websites: @ and @
* "Spy vs. Spy: The Complete Casebook" (2001): @
* National Public Radio report from 2001: @
* "Tales Calculated to Drive You Mad: The Debunking of Spies, Superheroes and Cold War Rhetoric in Mad magazine's 'Spy vs. Spy' " (2007 paper from Journal of Popular Culture): @

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